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#11
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On Fri, 12 Apr 2013 08:44:04 -0400, dan/danl
wrote: Any recommendations/tips on a used sewing machine to look for? If it's painted black and still works, nothing will kill it. If it doesn't work, pick all the lint out of the innards, clean off the varnish that used to be lubricant, oil it, put in a new needle, and try again. (Check that it takes a standard needle.) There were bad machines built in the black-paint era, but the few surviving badly-designed machines are in museums, so you aren't likely to get stuck with one. Singer sewing machines peaked with the 400 series (beige, if I recall correctly), tanked for a while (the 600 drove me INSANE), and are said to be coming back. Take samples of your favorite fabrics, and samples of fabrics that are hard to sew (sheer, heavy, slick, fuzzy, stretchy . . .), and try out the machines. Someone on Creative Machine recently commented that you should also bring your own thread. (When I worked in a Singer store, we demonstrated on heavily-starched sheer fabric that *nothing* could make a bad stitch on. We also used very cheap thread, because machines had not yet gotten picky about thread.) I've been using the same machine since 1964, so I don't have a great deal of shopping experience. Buying at a shop that does repairs is a good idea. -- Joy Beeson joy beeson at comcast dot net http://roughsewing.home.comcast.net/ The above message is a Usenet post. I don't recall having given anyone permission to use it on a Web site. |
#12
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On Sun, 14 Apr 2013 00:43:01 -0300, Joy Beeson
wrote: On Fri, 12 Apr 2013 08:44:04 -0400, dan/danl wrote: Any recommendations/tips on a used sewing machine to look for? If it's painted black and still works, nothing will kill it. If it doesn't work, pick all the lint out of the innards, clean off the varnish that used to be lubricant, oil it, put in a new needle, and try again. (Check that it takes a standard needle.) There were bad machines built in the black-paint era, but the few surviving badly-designed machines are in museums, so you aren't likely to get stuck with one. Singer sewing machines peaked with the 400 series (beige, if I recall correctly), tanked for a while (the 600 drove me INSANE), and are said to be coming back. Take samples of your favorite fabrics, and samples of fabrics that are hard to sew (sheer, heavy, slick, fuzzy, stretchy . . .), and try out the machines. Someone on Creative Machine recently commented that you should also bring your own thread. (When I worked in a Singer store, we demonstrated on heavily-starched sheer fabric that *nothing* could make a bad stitch on. We also used very cheap thread, because machines had not yet gotten picky about thread.) I've been using the same machine since 1964, so I don't have a great deal of shopping experience. Buying at a shop that does repairs is a good idea. Thank you fornthe advice! |
#13
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![]() A poster on the Creative Machine mailing list said that it's very important to her that her machine do a good keyhole buttonhole, which reminds me that I should have mentioned stitch variety. Decide which stitches are vital and which are useful, and don't be snowed by advertisements touting vast numbers of stitches. Which stitches matters; total number doesn't. (Unless the total is smaller than your list of must-haves.) I do most of my work on an old straight-stitch treadle machine I ransomed about ten years after I bought my electric machine, but when I carry a job into the room where the zig-zag machine is, I'm very glad that I've got it. I've forgotten how to make the Necchi do other stitches, but the book and stitch chart are very clear; it wouldn't take long to look up a fancy stitch if I wanted one. Some folks are hipped on having a blind-hemming stitch, which sews a few stitches straight, then makes one zig to the left to catch the fold of the fabric. When I don't care enough to sew a hem by hand, I top-stitch it. It's easier and more secure than the blind stitch, and looks just as good. I might use my blind-hem stitch to make a shell hem some day. (For that, you adjust the zig to fall off the fabric entirely, which pulls the edge into a series of scallops.) There are times when I wish that I had a three-step zig-zag: the machine makes three straight stitches angling to the left, then three angling to the right. The Necchi would do it if I put in the right cams, but as far as I know, they stopped making new cams for this machine before the three-step was invented. If you have access to alt.sewing, it would probably be best to continue this discussion there. (On the other hand, there isn't much traffic on this channel, and this sub-thread is easy to skip.) (And saying "what do you want in your new machine?" might stir up more information than you wanted.) -- Joy Beeson joy beeson at comcast dot net http://roughsewing.home.comcast.net/ The above message is a Usenet post. I don't recall having given anyone permission to use it on a Web site. |
#14
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![]() "Joy Beeson" wrote in message ... A poster on the Creative Machine mailing list said that it's very important to her that her machine do a good keyhole buttonhole, which reminds me that I should have mentioned stitch variety. Decide which stitches are vital and which are useful, and don't be snowed by advertisements touting vast numbers of stitches. Which stitches matters; total number doesn't. (Unless the total is smaller than your list of must-haves.) I do most of my work on an old straight-stitch treadle machine I ransomed about ten years after I bought my electric machine, but when I carry a job into the room where the zig-zag machine is, I'm very glad that I've got it. I've forgotten how to make the Necchi do other stitches, but the book and stitch chart are very clear; it wouldn't take long to look up a fancy stitch if I wanted one. Some folks are hipped on having a blind-hemming stitch, which sews a few stitches straight, then makes one zig to the left to catch the fold of the fabric. When I don't care enough to sew a hem by hand, I top-stitch it. It's easier and more secure than the blind stitch, and looks just as good. I might use my blind-hem stitch to make a shell hem some day. (For that, you adjust the zig to fall off the fabric entirely, which pulls the edge into a series of scallops.) There are times when I wish that I had a three-step zig-zag: the machine makes three straight stitches angling to the left, then three angling to the right. The Necchi would do it if I put in the right cams, but as far as I know, they stopped making new cams for this machine before the three-step was invented. If you have access to alt.sewing, it would probably be best to continue this discussion there. (On the other hand, there isn't much traffic on this channel, and this sub-thread is easy to skip.) (And saying "what do you want in your new machine?" might stir up more information than you wanted.) I for one find this fascinating. I had an aunt who was a whiz with a sewing machine. I think wax is often very hard to clean off because not much dissolves it, particularly petroleum wax. Naphtha, which is similar to white gasoline, may do it but I think other solvents may need to be used. I had some luck recently using disc brake cleaner. This is a mixture of solvents and comes in spray cans. You can get it at automotive supply stores. One must be careful because many solvents will attack paint. Certainly xylol (AKA xylene) and acetone will. You might even try kerosene or turpentine, both will dissolve certain waxes. -- Richard Knoppow Los Angeles WB6KBL |
#15
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On Sun, 14 Apr 2013 23:42:58 -0700, "Richard Knoppow"
wrote: You might even try kerosene or turpentine, both will dissolve certain waxes. We're back to the original topic -- to wrench the thread back to sewing, when I bought the White Family Rotary treadle machine, my spouse used kerosene to clean out its guts. Kerosene was cheap and readily available at the time. But I don't know what kerosene would do to paint. The varnish that old lubricants turn into is a great deal like paint . . . Even soap will wrinkle paint if it's concentrated and you let it set. (But soap won't take paint out of a T-shirt, or even fade it.) -- Joy Beeson joy beeson at comcast dot net http://roughsewing.home.comcast.net/ The above message is a Usenet post. I don't recall having given anyone permission to use it on a Web site. |
#16
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Joy Beeson wrote:
On Sun, 14 Apr 2013 23:42:58 -0700, "Richard Knoppow" wrote: You might even try kerosene or turpentine, both will dissolve certain waxes. We're back to the original topic -- to wrench the thread back to sewing, when I bought the White Family Rotary treadle machine, my spouse used kerosene to clean out its guts. Kerosene was cheap and readily available at the time. But I don't know what kerosene would do to paint. The varnish that old lubricants turn into is a great deal like paint . . . Kero won't touch most good paint, not even lacquer. It's more or less the same general family as naptha. It's a good choice for removing varnish from old lubrication if you can get a brush or pipe cleaner in there. It's not as aggressive as xylene or mek, both of which will damage paint but get lube varnish off faster. After cleaning up old equipment without disassembling it, you may still have hidden varnish in places. One way of dealing with this is to use a synthetic ester oil.... these oils have good solvent action and are pretty good at dissolving that gunk in hidden corners. Just keep running it through until it stops coming out yellow. --scott -- "C'est un Nagra. C'est suisse, et tres, tres precis." |
#17
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