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![]() RadioInsight /////////////////////////////////////////// KMOK Enters Canyon Country While KVTY Flows Into The River Posted: 07 Jun 2021 01:44 PM PDT https://radioinsight.com/headlines/2...nto-the-river/ McVey Entertainment Group closed on its $350,000 purchase of CHR “Y105” 105.1 KVTY Lewiston, Country “106.9 The Outlaw” KMOK Lewiston and Classic Country 1350 KRLC/93.1 K226CT Lewiston ID from Ida-Vend Company. With the change in operating control the company has begun making changes at its newly acquired stations. The first move sees the merger of Hot AC 103.9 The River K280FQ and Y105 as the River branding shifts from the translator to KVTY as 105.1 The River. KMOK rebranded as Canyon Country 106.9. Matt Dangerfield, who had hosted mornings on K280FQ, moves to KMOK. The station is launching with a trip giveaway to see Garth Brooks in Salt Lake City. McVey also owns Conservative Talk 950 KOZE/95.5 K238CI and Rock “Z-Rock” 96.5 KOZE-FM Lewiston. /////////////////////////////////////////// WJCT Relaunches Jacksonville Music Experience Posted: 07 Jun 2021 11:46 AM PDT https://radioinsight.com/headlines/2...ic-experience/ WJCT Public Media is relaunching Jacksonville Music Experience as a new platform for local music programming heard on its radio brands and seen on WJCT-TV. Jacksonville Music Experience features programming from WJCT-FMs HD subchannels Classical24, Anthology, and Electro Lounge Radio, WJCT-TVs Music Thursday, and new online exclusive content. WJCT Public Media today expands the Jacksonville Music Experience with a new online platform dedicated to local music and curation. The refreshed platform includes new features and weekly updates, giving users a continuous range of music to discover and enjoy. JME’s team of featured contributors boasts decades of experience in the local music scene, and includes journalists, broadcasters, performers and impresarios. The Jacksonville Music Experience launched in 2020 to connect listeners with a locally curated selection of programs that can be accessed on the air through WJCT Public Media’s HD radio stations (Classical 24, Anthology, and Electro Lounge), on demand through the WJCT app, online at jaxmusic.org, Music Thursday television programming on Jax PBS and even in person as concert programming returns to the First Coast. The expanded online platform now features new and improved features, including: Main Features: Longform profiles of local musicians, feature stories and think pieces that provide context to broad, music-related topics and how they impact Jaxs music ecosystem —*from emerging hip-hop artists like L.O.V.E. Culture and Aalana, to established local favorites like producer Ryan Turk and Jonathan Grant Berlin of Sunbears! fame The Local Spotlight: Short-form music reviews of new releases by local artists Local Music Calendar: Recommendations of concerts to see at local venues with useful and actionable information, like artist introductions, venue info and links to purchase tickets* WJCT Soundstage Events: Information about upcoming concerts and opportunities to engage with local artists Today in Music History:* Significant musical moments, updated daily* Electro Lounge Radio Playlist: The best in chill, downtempo and more from David Luckin JME DJ Sessions: Once a month on First Coast Connect with Melissa Ross, JME Contributors introduce listeners to the beautiful noise emanating from Northeast Florida with a selection of new releases from local artists** Fresh Squeeze Playlist: Curated selections of new music from local, regional, national and global artists, including songs from First Coast Connect’s JME DJ Sessions — all hand-picked by JME contributors* Crate Diggin: JME contributors will dig through their vinyl collections to discuss rare or significant albums based on a unique theme (Examples: Unsung Summer Albums, Guilty Pleasures, Pressed to Impress) JME Twitter Feed: Follow @JMEJaxMusic for the latest* content from jaxmusic.org as well as topical and buzz-worthy music news from other sites** JME Recommends: JME contributors will introduce readers to the most intriguing local artists in various genres* “The Jacksonville Music Experience is specifically designed for fans of all genres to discover and enjoy the most in-depth, diverse and local selection possible,” says David Luckin, WJCT Public Media’s Music Director. “With these new features that are easy to access online, Northeast Florida listeners will be able to customize every aspect of their music experience, learn more about music history and broaden their everyday playlists.” In celebration of the launch, WJCT Public Media will host an Amazon Echo giveaway campaign to encourage music lovers in Northeast Florida to sign up to receive JME music updates. To sign up to receive the JME newsletter and enter the giveaway, please visit jaxmusic.org. /////////////////////////////////////////// SiriusXM Seeks Operators For Its Qualified Entity Programming Posted: 07 Jun 2021 11:33 AM PDT https://radioinsight.com/headlines/2...y-programming/ SiriusXM is accepting additional applications from programmers for its Qualified Entity Program to provide audio programming for its satellite radio service. The satellite radio provider is looking to select one or more lessees for available set-aside channels. Applications are due by July 7, 2021. SiriusXMs Qualified Entity program focuses on selecting programming representing diverse viewpoints and/or diverse entertainment content; improved service to historically underserved audiences; original content of a type not otherwise available to SiriusXM subscribers; access to new sources of content and new entrants to mass media. SiriusXMs current Qualified Entity channels include HUR Voices*and HBCU Radio*by Howard University, KTV Radio Networks Korea Today, BYU Radio, En Vivo*and La Politica Talk*from National Latino Broadcasting, and SLAM Radio, the first satellite radio station run by high school students.*The program is part of SiriusXMs voluntary commitments to the Federal Communications Commission in connection with the merger of Sirius and XM in 2008. For detailed information about the Qualified Entity program and procedures for submitting applications for these set-aside channels, please visit siriusxm.com/qualifiedentity. /////////////////////////////////////////// Classic Hip-Hop: Its Been Here for Years Posted: 07 Jun 2021 11:00 AM PDT https://radioinsight.com/ross/209025...ere-for-years/ On April 1, Rhythmic Top 40 KNRJ Phoenix became Throwback Hip-Hop/R&B KZCE (101.1 The Bounce). On May 18, the first PPM numbers came out and KZCE was up 1.0–2.7. It was a noticeable debut for a format you might not have thought much about recently. But someone has. The Memorial Day format-change weekend began with KLZT-HD2/K274AX Austin, Texas, becoming The Vibe, positioned as Rhythmic AC, but based largely in throwback titles. On the following Tuesday, Classic Hits KRKE Albuquerque, N.M., became 101.3 The Hustle, immediately winning the weekend at least for station names. Both stations are in markets that already had some version of Classic Hip-Hop on FM. It has been more than seven years since the early 2013 launch of WBQT (Hot 96.9) Boston, a gold-based Rhythmic format based heavily in Classic Hip-Hop and ‘90s/early ‘00s R&B. Eighteen months later, Radio One’s KROI (Boom 92.1) Houston launched a more narrowly defined Throwback Hip-Hop approach, which turboed the Classic Hip-Hop building boom and prompted a New York Times story on the format. Even then, the format was a decade old, since the current KDAY Los Angeles goes back to 2004. Boom Houston lasted a little over two years, and eventually its Radio One brethren followed it out of the format. So did iHeart’s KZEP (Hot 104.5) San Antonio, Texas, one of the format’s major success stories. WRWM (The Beat) Indianapolis lasted about three, but not before inspiring a Cumulus/Westwood One Classic Hip-Hop network that was heard on KWQW (The Vibe) Des Moines, Iowa, until last weekend. If you had already pegged Classic Hip-Hop the next “Jammin’ Oldies”-style fad format, and many people did from the outset, the discussion was closed. But in 2015, when Indianapolis was at its peak, I wrote an article noting that Jammin’ Oldies was still flourishing in a handful of markets. Count on that for Classic Hip-Hop too, I predicted. Eight years later, there are at least 15 stations based in Classic Hip-Hop in the PPM markets. Boston’s Hot 96.9 never experienced market dominance but has been a reliable three-share player throughout, even without driving rival WJMN (Jam’n 94.5) out of the format. That station had a 2.9 in April. Others in that range include sister WMGC (the Bounce) Detroit (3.4), WBMX (104.3 Jams) Chicago (2.8), KXQQ (Q100) Las Vegas (3.1). In April, KVBH (Vibe 107.5) San Antonio was up 4.0 4.6, showing that the format can become refreshed. Jammin’ Oldies found its foothold particularly in those markets that weren’t likely to support a full-fledged, Black-targeted R&B station. But Detroit and Chicago are markets where coalition formats usually haven’t been tenable long-term. Both Jammin’ Oldies and Classic Hip-Hop were hurt in the long run by great first books in formats that were never meant to be more than niches, but made being a niche player hard to accept. Those willing to do Classic Hip-Hop as a niche format are still doing fine. On a translator or more marginal signal, the format is more typically a 2 share or thereabouts; in San Antonio, its more than a niche, yet again. Classic Hip-Hop has also changed the Adult R&B format. In the late ‘90s/early ‘00s, some of those stations experimented with Hip-Hop titles and quickly found them incompatible, even for an audience that grew up in the Hip-Hop era. Now, the biggest ‘90s Classic Hip-Hop titles are a regular part of the format, and the ‘90s R&B that is the other half of the throwback format is the center lane. WBQT was launched not on a Classic Hits template, but more like a gold-based AC, playing a handful of recurrents and reaching beyond the format for Michael Jackson on one side and Justin Timberlake and Maroon 5 at the new end. At that moment, there wasn’t much from contemporary Hip-Hop to play beyond Drake and a resurgent Jay-Z. Now, Hip-Hop itself is resurgent, but seemingly a generational chasm apart from 1995-2005 music. Hot 96.9’s most-played current is Justin Bieber’s “Peaches,” but there’s also Pop Smoke, DaBaby, and Saweetie among the newer titles. The Boston version of the format is the one heard in Phoenix, at least in terms of the “plays Timberlake” pop edges. (KZCE is not playing recurrents.) Candelaria came from WMGC and Beasley, which in turn acquired the stations from Greater Media, which owned WBQT at its launch. Austin’s Vibe is also positioned as a yesterday-and-today station. Albuquerque’s KRKE is doing a harder mix, more reminiscent of the Boom stations. In the hour monitored, the most recent title was from 2017. Here’s Phoenix’s The Bounce, “The Valley’s Throwback Station,” at 9 a.m., June 1: Nelly, “Country Grammar” Rihanna f/Jay-Z, “Umbrella” Akon, “Don’t Matter” Drake, “Find Your Love” Shaggy, “Angel” Big Tymers, “Still Fly” Justin Timberlake, “Rock Your Body” Jagged Edge f/Nelly, “Where the Party At?” DMX, “Party Up (Up in Here)” Outkast, “Hey Ya” Bruno Mars & Cardi B, “Finesse” Notorious B.I.G., “Juicy” Chris Brown x Young Thug, “Go Crazy” Aaliyah, “Are You That Somebody” Here’s Austin’s 102.7 The Vibe at 7:15 a.m. on May 28. The Vibe’s mix ranges from Bobby Brown’s “My Prerogative” to Doja Cat’s current “Kiss Me More,” but it still reads more like a Hot 96.9 than WSTR (Star 94) Atlanta’s poppier rhythmic yesterday-and-today mix.* Eve f/Gwen Stefani, “Let Me Blow Ya Mind: Warren G & Nate Dogg, “Regulate” TLC, “Creep” Snoop Dogg, “Drop It Like It’s Hot” Megan Thee Stallion f/Beyoncé, “Savage” Jagged Edge, “Let’s Get Married” Silk Sonic, “Leave the Door Open” Jennifer Lopez, “Jenny From the Block” Jay-Z, “Hard Knock Life” Cardi B, “Bodak Yellow” 50 Cent, “Disco Inferno” Destiny’s Child, “Say My Name” Big Punisher f/Joe, “Still Not a Player” Dr. Dre, “Nuthin’ But a ‘G’ Thang” SWV, “Right Here/Human Nature” Finally, here’s The Hustle on the morning of its June 1 launch at 5:30 a.m.: 2pac & Snoop Dogg, “2 of Amerikaz Most Wanted” Lil Wayne & Drake, “She Will” DJ Jazzy Jeff & Fresh Prince, “Summertime” NWA, “Straight Outta Compton” A$AP Ferg, “Plain Jane” Juvenile, “Slow Motion” Three 6 Mafia, “Stay Fly” Project Pat, “Sippin’ on Some Syrup” Young Jeezy, “I Luv It” Drake f/T.I. & Swizz Beatz, “Fancy” Cypress Hill, “Insane in the Brain” Lil Wayne, “Lollipop” During the year when COVID-19 upended radio listening, I wondered if Classic Hip-Hop stations were going to benefit from the same sort of elevated upper-demo male listening that powered Classic Rock and Active Rock stations. That hasn’t happened so far, but I’d expect a somewhat harder-leaning station like the Hustle (or the old Boom outlets) as the most likely to be helped by that shift, if it continues. /////////////////////////////////////////// WFUV Appoints Rich McLaughlin As Program Director Posted: 07 Jun 2021 08:27 AM PDT https://radioinsight.com/headlines/2...gram-director/ Fordham University AAA 90.7 WFUV New York has announced the return of Rich McLaughlin to the station as Program Director. McLaughlin, who served as Content Director at the station in 2008-2009, succeeds the late Rita Houston as Program Director. The Fordham graduate began his career at the then-startup Sirius Satellite Radio in 2001 as Format Manager where he programmed the Alt Nation and Left of Center channels until his first stint at WFUV. He worked at Clear Channel New York as Digital Program Director from 2009-2011 and then as Director of Digital Programming and SVP/Programming for iHeartRadio from 2012-2015 and Merlin Media as Senior Director of Digital Programming in-between. McLaughlin has been with Amazon Music since 2016 as Seattle based Senior Music Curator and since last September as New York based Global Programming Lead for its music catalog. WFUV (90.7 FM/wfuv.org), New York’s source for music discovery, is pleased to announce it has named Rich McLaughlin as Program Director. McLaughlin currently oversees catalog programming globally for Amazon Music. He starts at WFUV on June 14. “Rich is uniquely qualified for this role,” said Chuck Singleton, WFUV’s General Manager, citing McLaughlin’s blend of terrestrial, digital, and streaming radio experience. “His accomplishments speak directly to the transition WFUV and the wider industry is experiencing. Rich’s leadership will be a booster shot for our content development and programming outreach to diverse new audiences.” “I’m over the moon about joining WFUV as Program Director,” said McLaughlin. “The opportunity to serve a station and university deeply embedded in my DNA is especially meaningful. FUV’s reputation for music discovery is well earned. The depth of industry partnerships with artists, labels, venues, and cultural organizations is extraordinary. The engaged community of music lovers who support its mission as listeners and donors is second to none. I’m grateful for the chance to guide WFUV’s next programming chapter, and I can’t wait to start contributing.” It’s a poignant homecoming for McLaughlin, who succeeds Rita Houston in the role. Houston passed away in December 2020 after a 26-year tenure at WFUV, serving as program director, music director, and DJ. McLaughlin’s radio career began, under Houston’s mentorship, as a Fordham University student in the late 1990s. “WFUV’s rich history and culture is steeped in its training mission,” said McLaughlin. “The education I received from Rita is evidence of her mission accomplished. Rita taught me that success achieved at the expense of authenticity is failure in disguise. The path she paved allowed for missteps along the way, and always led me back to what’s real. Rita’s spirit, fearlessness, and love of music continues to inspire.” FUV host Paul Cavalconte will introduce Rich to listeners on Sunday, June 13, at 6 p.m. EDT, joining him as guest co-host of “Cavalcade.” McLaughlin joined Amazon in 2016 as a Senior Music Curator, leading US rock programming strategy across web, mobile, and Alexa-enabled voice devices and platforms. He designed and executed the original rock programming platform for Amazon Music Unlimited, the corporation’s full-catalog premium music-streaming service. Before Amazon, McLaughlin was Senior Vice President of Programming at iHeartMedia. He oversaw programming strategy for the network’s digital station platform, successfully expanding the company’s digital brands across all genres. McLaughlin also led content strategy for the launch of iHeartRadio’s first-ever podcast platform, building partnerships with artists, managers, major music labels, and broadcast networks such as NBC, HBO, and ESPN. McLaughlin’s first post-undergraduate role was at Sirius Satellite Radio. He was part of the pioneering team that built the broadcast company’s original station platform. In addition to programing Sirius’s Alt Nation and Left of Center (now called Sirius XMU), Rich helped architect The Spectrum, Lithium, Faction, and several other stations. A graduate of Fordham University (B.A. 2001, MBA 2010), McLaughlin lives on Long Island with his wife, Sarah, and their three children. “I’m grateful to WFUV’s entire team,” said Singleton. “They’ve done an amazing job of keeping us moving forward in a most difficult year.” WFUV’s four-month, national search attracted a diverse group of more than 60 individuals and was completed with support from Ann Blinkhorn/Blinkhorn, LLC as well as Mike Henry/Paragon Media Strategies. /////////////////////////////////////////// Karina Maria Exits Mornings At Hot 93.3 Dallas Posted: 07 Jun 2021 07:43 AM PDT https://radioinsight.com/headlines/2...t-93-3-dallas/ Cumulus Media CHR “Hot 93.3” KLIF-FM Haltom City/Dallas has a morning show vacancy as Karina Maria Cabreja has exited. Cabreja departed in late May after less than two years in the position. She joined KLIF-FM in October 2019 as co-host alongside Bret Mega and has been hosting solo since Megas departure for KYKY St. Louis in April. Prior to joining KLIF-FM, Cabreja spent a little over a year in mornings at Midwest Communications CHR 95.5 WIFC Wausau WI. She has also worked at Emmis’ WBLS/WQHT and iHeartMedia’s WWPR New York and in marketing at multiple record labels. Cumulus is seeking a new morning co-host. /////////////////////////////////////////// Seven Mountains Media Makes Multiple Frequency Shifts In Elmira/Corning Posted: 07 Jun 2021 07:00 AM PDT https://radioinsight.com/headlines/2...lmira-shuffle/ Seven Mountains Media has continued its realignment of its Elmira/Corning NY cluster following the acquisition of Sound Communications properties in the market and divestment of multiple signals to Family Life Ministries. Northeast Radio Watch reports the following changes have taken place, with some additional moves to follow later this summer. AC Magic-FM shifts from 92.7 WENI-FM South Waverly PA and 97.7 WENY-FM Big Flats NY to 1230 WENY Elmira/106.7 W294BU Corning/106.9 W295BY Elmira. That move drops Conservative Talk The Patriot from WENY/W295BY, but it remains on 1450 WENI/103.3 W277DG Corning. The company has merged the two Classic Hits brands as their existing Cool Radio shifts from 104.9 WPHD Montour Falls to 98.7 WGMM Corning replacing 98.7 Gem-FM. Classic Rock The Met shifted from 820 WMTT Horseheads/100.9 WMTT-FM Horseheads to 92.7 WENI-FM Classic Hip Hop Jamz 101.7 W269BK Horseheads/96.1 WCBF-HD3 has added a simulcast on 107.9 W300DH Corning replacing a simulcast of Cool 820 WMTT, 97.7 WENY-FM, 100.9 WMTT-FM (moving to 101.1 to serve the Ithaca market), and 104.9 WPHD will all join Family Lifes Christian network. Seven Mountains has yet to implement plans for the stations it has acquired in Hornell and Olean NY except that Country 101.9 The Ride WZKZ Alfred has moved to Family Life leaving its programming on 1360 WOEN/96.3 W242CT Olean. Original Report 6/2: With the three-way deal between Seven Mountains Media, Family Life Ministries, and Sound Communications involving stations in the Elmira/Corning and Olean NY markets closing on Tuesday, June 1, the companies have begun moving brands to new frequencies. The AC Magic format that had been on 92.7 WENI-FM South Waverly PA and 97.7 WENY-FM Big Flats NY has been dropped from 97.7 as that frequency moves to Family Lifes ownership. Replacing 97.7 in the simulcast is 1230 WENY Elmira and 106.7 W294BU Corning. 1230 had been simulcasting Conservative Talk The Patriot that remains on 1450 WENI/103.3 W277DG Corning. 106.7 W294BU had been rebroadcasting Kickin Country 105.3 WKPQ Hornell. The Sound Communications properties are the third cluster in Elmira acquired by Seven Mountains Media since entering the market in 2019 with the purchase of Community Broadcasters properties. They added Equinox Broadcastings stations in December 2019 leading to signal and format changes for five of their brands last July. The Sound Communications acquisition will see Seven Mountains Media add 92.7 WENI-FM South Waverly PA, 98.7 WGMM Corning, 105.3 WKPQ Hornell, 1230 WENY Elmira, 1450 WENI Corning, 103.3 W277DG Corning, 106.7 W294BU Corning, and 106.9 W295BY Elmira in the market along with stations in Olean. They also divested 97.7 WENY-FM Big Flats, 820 WMTT Horseheads, 104.9 WPHD Montour Falls and 100.9 WMTT-FM Horseheads NY (to be moved to 101.1 Enfield/Ithaca) to Family Life. The latter deal will require frequency shifts for Classic Rock “101 The Met” 100.9 WMTT-FM/820 WMTT and Classic Hits “Cool 104.9” WPHD Montour Falls/Elmira. WPHDs format also overlaps with Sounds 98.7 Gem-FM WGMM although while WPHD is 1970s and 1980s focused Classic Hits, WGMM is centered on the 80s and 1990s. The deal also gives Seven Mountains two Country brands in the market with WKPQ joining the Bigfoot quadcast heard on 94.7 WQBF Tioga PA, 95.1 W236AK Corning, 96.1 WCBF Elmira, and 97.1 WOBF Canaseraga/Hornell. |
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