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![]() RadioInsight /////////////////////////////////////////// Billy Sorrells Exits The Morning Hustle Posted: 09 Jun 2021 04:15 PM PDT https://radioinsight.com/headlines/2...orning-hustle/ RadioInsight has learned that Billy Sorrells has exited as co-host of Radio One/Reach Medias syndicated The Morning Hustle. Sorrells joined the show when it entered national syndication in January 2020 serving as a co-host and in-house comedian. Headkrack, Angie Ange and Monica ‘Lore’l’ Torres remain in place on the show. A fifth member of the show, On-Air Jordan departed last August. Sorrells is a stand-up comedian and sketch comedy performer who previously hosted Skits and Bits on Jaime Foxxs Foxxhole channel on SiriusXM. He appeared on multiple seasons of Nick Cannons Wild N Out on MTV. All references to Sorrells have been removed from the shows digital properties and marketing materials. /////////////////////////////////////////// Prepare For A July Fourth Format Change Posted: 09 Jun 2021 09:00 AM PDT https://radioinsight.com/ross/209029...format-change/ I’ve listened to eight brand new radio stations since last Friday. Holiday format changes are always a key moment when you write about or work in radio, and it’s a positive sign of radio’s reopening that there are even a few more than I’ve gotten to already. Two of the changes were to Classic Hip-Hop-based formats, and you can read about them here.*One of them was WHKF (Real 99.3), which made me happy because it was bringing R&B/Hip-Hop back to Harrisburg, Pa., a market that keeps getting and losing R&B radio.* I heard new stations I liked over the Memorial Day weekend. I heard stations that pleasantly surprised me. But I have notes. I always have notes. A new radio station comes with new challenges on a new landscape. A new radio station comes with new responsibilities: Along with the music, it needs to sell radio itself, not just its own frequency. If our summer of guarded optimism continues, there will likely be even more format changes on July 4. Here are some thoughts on making them great ones.* A change won’t promote itself. As far back as 2007, I wrote an article on how format changes could no longer expect to be noticed by osmosis. With everything but the best, most galvanizing, most badly needed format change, the existing cume is more likely to complain about the old format than do the work of promoting the new one for you. Even in 2007, those format changes supported by TV were more likely to be noticed, something reinforced years later by the success of KISQ (the Breeze) San Francisco. But July 4 weekend allows so many reach-the-beaches opportunity, especially in a reopening North America, that there’s got to be some form of outside marketing. Tell people what’s coming. You might have particular reasons for not wanting to tip your hand, but KHJ Los Angeles, perhaps the most famous format change of all time, survived rival KFWB’s attempts to pre-empt it, and an earlier-than-planned start.* Be the station of summer, especially this summer. Listeners want a summer. They want a relief valve. It’s good to be the station of summer (even if you’ve missed the first few weeks of it), and the station of a fresh start. * Make those launch promos count. Some stations are happy to just show up and run the new ID into the new format. I like the launch promo, if only to give the listeners an explanation of what’s happening, and offer a handshake. Some are loaded with portent and sound like they’re written for the station sales presentation, not the on-air moment. All should be written so that the version you run throughout the launch weekend isn’t longer than a spot and still makes sense out of its original context. Begin as you mean to go on. New radio stations should be hosted from the beginning. Two of the eight radio stations I heard were hosted when I listened. Both were seemingly voice-tracked. One did a good job of not sounding overtly canned. (And, truthfully, it’s probably best to assemble that first hour in advance so it can be everything you want it to be.)* Being hosted at this moment is a radio station’s superpower, but being hosted in that first hour is important because it helps make the policy statement for, and explain the intended usage of the radio station. They can also be the ones making sure there’s localism from the beginning. Listener calls may not be the same issue they once were, but having somebody to field them is a good thing. Also, if you can get that authentic “I love your new station” audio, it will be far more valuable than the canned-sounding one in your imaging package. But starting with the morning show is not ideal. After more than 15 years of helping launch new formats, I can say with confidence that nothing derails more station launches than starting at 6 a.m. with the morning team held over from the old format on their regular morning-show clock. Morning teams feel a need to do morning-show things, which runs counter to the purpose of explaining how to listen to the radio station. I’ve heard morning shows: Give far more weight to their existing bits and benchmarks—“brand-new radio station this morning, but we’ve still got celebrity gossip coming up”; Do the usual first-day-at-a-new-station bit about who’s going to mess up and say the old call letters first; Undercut the newness of the radio station by reminding you that nothing has really changed. “We’re like cockroaches; they can’t get rid of us.” Broadcasters typically aim for continuity in this situation, but maybe it should be, “We’ve made the switch to this new station and you should, too.” Begin with a reasonable, sustainable music-quantity promise. It’s been nearly 40 years since WAPP New York taught us what happened after your Commercial-Free Summer, which did nothing to discourage stations from 10,000 Songs in a Row for launch after launch. Playing a lot of music on an ongoing basis needs to be part of the sell now, unless you are launching a station that so transcends the need for one. Doing this is a key in allowing you to … Begin with a serious commitment to a positive online experience. Artifacts of the old format are the bane of every station’s change these days. I hear plenty of those on many new station launches, as well as songs from the old format. The length of the stopsets needs to be bearable, and they need to avoid starting with a hard-sell spot cutting off the song I’m grooving to. I still believe that “no bad commercials” is a valuable selling point for a new station, and that includes competing with online stations. If there’s a commitment to music quantity, that should be evident right away as well. You have to fix the stopsets anyway. It’s a regular occurrence now that format changes fail to catch all the leftover promos, remnant references to previous stations, departed talent, and fill songs from the previous format. Maybe better to run with the real stopsets, at least at the outset, and not deal with the bulbous walrus (of the Progressive insurance spots) washing up on listeners’ beach weekends.* Make those app promos count. “Download our app and our skill” means nothing this weekend. “Take us to the beach this weekend, because we’ll look for you listening to our app” means a lot. KRTY San Jose proved that it’s possible to get listeners to talk about app and smart-speaker usage in an authentic-sounding way. * Put listeners on the air everywhere, except in those first hours. Nothing more typifies what’s wrong in the business than the phony-sounding listener drop (“I love it! I listen all day!”) that appears on the air over the second record of the first hour. But despite the issues of finding authentic-sounding listener drops now, they need to be on the air relatively quickly to confirm to the listener that something is happening here, and so that listeners can vote yes by thanking you for the radio station. Having listeners is a logical “phase II” for any sign on and it ratifies your decision, especially if you aren’t hosted. Program music boldly. On July 2, 1982, the then-AM-Top-40 version of KKBQ (79Q) Houston became my station of the summer with the best of the new, including the new-wave novelties that not everybody was yet playing, the R&B crossovers that many would not, and “Seasons in the Sun” and scores of other goofy novelties from the ‘70s. During Top 40’s last boom, KAMP (Amp Radio) Los Angeles made a point of having 2-3 secret-weapon currents from the outset, both to distinguish itself and to have some gauge of whether KIIS was reacting. KAMP might not be aspirational for you now, but it was an effective launch and the excitement it created over the current music was part of it. /////////////////////////////////////////// Ted Stryker To Exit KROQ Mornings Posted: 09 Jun 2021 07:57 AM PDT https://radioinsight.com/headlines/2...kroq-mornings/ Ted Stryker has announced he will be leaving mornings at Audacy Alternative 106.7 KROQ Pasadena/Los Angeles. Stryker has spent 22 years at the CBS Radio turned Audacy Los Angeles cluster mostly with KROQ, but also briefly hosting afternoons at CHR 97.1 Amp Radio KAMP-FM after its launch in 2009/10. Since March 2020 he has co-hosted mornings at KROQ with Kevin Klein after the duo moved from afternoons. The show has been syndicated to Audacys Alt 96.5 KRBZ Kansas City, Alt 103.7 KVIL Dallas, and Alt 105.3 KITS San Francisco since September 2020. Stryker also previously co-hosted the syndicated Loveline with Dr. Drew Pinsky from 2006 to 2009 and served as the on-screen DJ for Ellen Degeneres talk show in 2007 and 2008. Stryker will continue to host Compass Media Networks syndicated Out of Order countdown show and fill-in on KROQ. Kevin Klein, Ally Johnson and DJ Omar Khan will continue in mornings at KROQ, KVIL, KRBZ and KITS. I’m making a change, thank you for your support @kroq pic.twitter.com/g5sIvx8eHl - Ted Stryker (@TedStryker) June 9, 2021 /////////////////////////////////////////// Alliance for Women in Media Foundation Announce 2021 Gracie Award Winners Posted: 09 Jun 2021 05:42 AM PDT https://radioinsight.com/headlines/2...award-winners/ The Alliance for Women in Media Foundation (AWMF) announced the winners of the 46th Annual Gracie Awards today to be presented on September 27, 2021 at the Beverly Wilshire Hotel in Los Angeles, while local and student winners will be recognized virtually. The Radio industry related winners a Radio National Honorees Allison Keyes (Weekend Roundup) CBS News Radio Frontline Special Report [Radio National] Alzheimers in Color (Latino USA) Futuro Media Documentary [Radio Nationally Syndicated Non-Commercial] Cami McCormick and Deborah Rodriguez (CBS World News Roundup) CBS News Radio Crisis Coverage [Radio National Syndicated Commercial] Chinas Coronavirus Crisis (All Things Considered) NPR (National Public Radio) Crisis Coverage/Breaking News [Radio Nationally Syndicated Non-Commercial Danielle Monaro (Elvis Duran and the Morning Show) iHeartMedia/Premiere Networks Co-host [Radio Nationally Syndicated Commercial] DeDe McGuire (DeDe in the Morning) Compass Media Networks / Service Broadcasting Group Host/Personality [Radio Nationally Syndicated Commercial] Estelle (The Estelle Show) Apple Music Radio Host/Personality- Digital Streaming [Radio Nationally Syndicated Commercial] Hilary Kramer (Hilary Kramers Millionaire Maker) Salem Media Group Weekend Host / Personality- Talk Host [ Radio Nationally Syndicated Commercial ] Ina Jaffe (Morning Edition/Weekend Edition) NPR (National Public Radio) Reporter / Correspondent / Host [Radio Nationally Syndicated Non-Commercial] Jessica Beck (Snapshots from Black America) -BBC Radio 4 Producer [Radio Nationally Syndicated Non-Commercial] Jill Schlesinger (Jill on Money) CBS News Radio Talk Show [Radio Nationally Syndicated Commercial] Karen Travers (ABC News) ABC NEWS Outstanding News Anchor [ Radio Nationally Syndicated Commercial ] Lindsay Czarniak (Important Conversations with Lindsay Czarniak) SiriusXM -News Feature [Radio Nationally Syndicated Commercial] Lisa Abramowicz (Generation Interrupted) Bloomberg LP Special [Radio Nationally Syndicated Commercial] Lulu Garcia-Navarro & Peter Breslow (Weekend Edition Sunday) NPR (National Public Radio) Public Affairs [Radio Nationally Syndicated Non-Commercial] Marla Gibbs: A Living Treasure (Café Mocha Radio) Miles Ahead Broadcasting/Compass Media Networks Interview Feature [Radio Nationally Syndicated Commercial] Noel King (How A Mother Protects Her Black Teenage Son From The World) NPR (National Public Radio) Interview Feature [Radio Nationally Syndicated Non-Commercial] Reconciling History: The Ordeal of One Last Surviving Sex Slave of Wartime Philippines (Weekend Edition Sunday) NPR (National Public Radio) Investigative Feature [Radio Nationally Syndicated Non-Commercial] Reema Khrais (This Is Uncomfortable) News Feature [Radio Nationally Syndicated Non-Commercial] Roula Christie (WEEKENDS WITH ROULA) Westwood One Weekend Host / Personality- Music Host [ Radio Nationally Syndicated Commercial ] Stuck-At-Home Moms: The Pandemics Devastating Toll On Women (All Things Considered & Morning Edition) NPR (National Public Radio) Series [Radio Nationally Syndicated Non-Commercial] Victoria Balestrieri (Make Way A Celebration of Womens Basketball) SiriusXM Producer Talk [Radio Nationally Syndicated Commercial] Radio Local Honorees Alex Razo (Wake Up Call / The Bill Handel Show) KFI AM 640 Producer [Radio Local] Amanda Orlando (Jim & Amanda on WARM98.5) CUMULUS MEDIA BROADCASTING = Co-host (Music DJ/ Personality) Medium [Radio Local] Annie Frey (The Annie Frey Show on 971FMTalk) Audacy Host Non-Morning Drive (Talk/Personality) Large/Major Market [Radio Local] Brigitte Quinn (The Wedding) 1010 WINS Interview Feature [Radio Local] Chaos In The Capitol, A Nation Divided WCBS-AM/Audacy New York Frontline Special Report [Radio Local] Covid Community Help Cox Media Group Public Service Announcement- Community Giveback [Radio Local] KNX News (Emily Valdez) KNX AM Breaking News [Radio Local] Help for Domestic Abuse Victims During The Pandemic Shutdown (Sonstein Sunday) (Shelli Sonstein) WAXQ-FM IHeartRadio USA Public Affairs- Crisis Coverage [Radio Local] Holly Quan KCBS RADIO (Audacy-San Francisco) Outstanding News Anchor [ Radio Local] Jamie Morris (Jamie & You) Connoisseur Media LLC Host Morning Drive Medium Market [Radio Local] Jillene Khan (Jillene Khan on Magic 98) Mid-West Family Broadcasting Host Non-Morning Drive (Music DJ/Personality) Small Market [Radio Local] Juliet Huddy (Curtis & Juliet) WABC Radio Frontline Reporter/Correspondent [Radio Local] Kelly Ford (Kelly Ford in the Morning) Audacy Host Morning Drive- Major Market [Radio Local] Lori Voornas (Lori Voornas-WJBQ-Portland) Townsquare Media Host Morning Drive Small Market [Radio Local] Maggie Gray (The Moose and Maggie Show) Audacy New York Co-host (Talk/Personality) Large/Major [Radio Local] Marci Wiser (95.5 KLOS/Los Angeles/Rock Format) Meruelo Media Host Non-Morning Drive (Music DJ/Personality) Major Market [Radio Local] Megan Lynch (The COVID Recession Worse for Women) Audacy/KMOX Hard News Feature [Radio Local] myTalks Project Down & Dirty Classic Radio Drama KTMY-FM (United States of America) Public Service Announcement [Radio Local] Sue Purnell “Big Sue” (WHRK-FM) iHeartMedia Memphis Host Non-Morning Drive (Music DJ/Personality) Medium Market [Radio Local] Susy Solis (KRLD Difference Makers) Audacy Soft News Feature [Radio Local] The Gabe And Nina Morning Show (Nina Hajian) Audacy Chicago Crisis Coverage [Radio Local] VOICES with Pebbles (Pebbles) Beasley Media Group Public Affairs [Radio Local] Radio Non-Commercial Local Honorees Angela King (No more haircuts: Stylist says closing salons is right thing to do to stop COVID- 19) KUOW Puget Sound Public Radio Interview Feature [Radio Non-Commercial Local] Bonnie Petrie (Petrie Dish) Texas Public Radio Host/Anchor [Radio Non-Commercial Local] Carson Frame Texas Public Radio & The American Homefront Project Reporter/Correspondent [Radio Non-Commercial Local] Daniella Cheslow (In Virginia, A Family Tragedy Stirs New Life In A Burial Ground For The Enslaved) WAMU News Feature [Radio Non-Commercial Local] Fernanda Camerena (Petrie Dish) Texas Public Radio & The Texas Newsroom Producer [Radio Non-Commercial Local] Going Flat or Building New Breasts: Two Women’s Post Mastectomy Stories (Audacious) Connecticut Public Radio Talk Show [Radio Non-Commercial Local] Gwynne Hogan WNYC/Gothamist Crisis Coverage [Radio Non-Commercial Local] Postcards From The Pandemic ideastream Series [Radio Non Commercial Local] Victoria Chamberlin (How This Army Officer Is Memorializing Her Stillborn Daughter Through Music) WAMU Portrait/Biography [Radio Non-Commercial Local] Why Cant I Breathe? How Systemic Racism Makes COVID-19 Worse For Communities Of Color Texas Public Radio & The Texas Newsroom Special [Radio Non-Commercial Local] Radio Student Honorees Katie Francis (Katie Francis The Rowan Report) Rowan Radio 89.7 WGLS-FM Host/Personality [Radio Student] Natalie Khait (First Female District Attorney in Nasau County Inspires & Encourages More Women to Enter Politics) Radio Hofstra University WRHU FM / WRHU.org Interview Feature [Radio Student] Nora Thomas (IS COVID-19 FORCING DISPLACEMENT IN LOW-INCOME AREAS?) WFUV / Fordham University News Feature [Radio Student] Rylee Meyer and Alexandra Cann (The Social Media Effect) Rowan Radio 89.7 WGLS-FM Public Affairs [Radio Student] Women in Politics / Double Standards A League of Our Own (Eli Finkelson) Radio Hofstra University WRHU FM / WRHU.org Talk Show [Radio Student] Zia Kelly, Madison Conte, Hannah France, Isabella Paxton, Veronica Mohesky, Alec Stutson, Jane Mather-Glass, Olivia Moses (The Check-In) KBIA Producer [Radio Student] The Alliance for Women in Media Foundation (AWMF) announced the winners of the 46th Annual Gracie Awards. The Gracie Awards Gala will take place September 27, 2021 at the Beverly Wilshire Hotel in Los Angeles and will honor some of the most talented women in television, radio and digital media, including Kerry Washington, Catherine OHara, Lena Waithe, Kelly Clarkson, Hillary Rodham Clinton, DeDe McGuire, Danielle Monaro*and Erin Andrews. This years ceremony will also recognize entertainment and news programming that addressed timely topics and social issues, including TODAY Show, CBS This Morning, black-ish, Mrs. America and folklo the long pond studio sessions. Throughout this important year, we have enjoyed some of the most compelling content in our history. We were informed, enlightened and entertained by women in media across all platforms, said Becky Brooks, President, Alliance for Women in Media Foundation. As we celebrate AWMs 70th anniversary, we are thrilled to honor this incredible group of women who have demonstrated their commitment to sharing emotionally-charged, timely and compelling content. We look forward to reconvening in person to recognize these incredible achievements and brave storytelling. The Gracies recognize exemplary programming created by, for and about women in radio, television, cable and interactive media. Honorees are selected in national, local and student markets, including both commercial and non-commercial outlets. In lieu of the*Gracie Awards Luncheon, which will no longer take place in person on June 26 in New York City, local and student award winners will be recognized virtually. An alternate in-person celebration is currently being evaluated. In the sixth consecutive year as Executive Producer, Vicangelo Bulluck will spotlight these prolific women in the industry who continue to inspire and support others, break down barriers, and lead by example in creating opportunity for future generations. Sponsors of The Gracies include Ziploc®, Crown Media Family Networks, CNN, NCTA – the Internet and Television Association, Katz Media Group and Beasley Media Group. About The Gracie Awards The Gracies Awards is the largest fundraiser of the Alliance for Women in Media Foundation (formerly known as The Foundation of American Women in Radio & Television) which supports and promotes educational programs, and scholarships to benefit the media, the public and allied fields. In addition to giving $20,000 a year away in scholarships to deserving female students, the Foundation also produces the nationally acclaimed recognition program the Gracie Awards which honors exemplary programming created by, for and about women. The Alliance for Women in Media Foundation has created partnerships and joint initiatives with the Emma Bowen Foundation, the National Association of Broadcasters (NAB), NCTA The Cable and Telecommunications Association and other organizations that are philosophically aligned with the mission of the Foundation. For more information about The Alliance for Women in Media Foundation and the Gracie Awards please visit allwomeninmedia.org and follow on Twitter (@AllWomeninMedia), (#TheGracies), Instagram (@allwomeninmedia) and Facebook. /////////////////////////////////////////// Las Vegas Franken-FM's Fiesta Makes Move to HD Fed Translator Posted: 09 Jun 2021 05:00 AM PDT https://radioinsight.com/headlines/2...ed-translator/ As the July 13 drop-dead date for analog LPTV to convert to digital approaches, another of the radio brands operating as a Franken-FM utilizing the 87.75 aural signal of analog TV channel 6 has moved in order to remain on the air. Rafael Cerros, Jr. and Rogelio El Torito Regalados Latino Hustle Group, who had been operating Regional Mexican/Reggaeton Fiesta 87.7 KGHD-LP since May 2020, purchased 98.1 K251BS North Las Vegas from Calvary Chapel of Costa Mesa in April for $250,000. The programming began simulcasting on K251BS fed via Audacys 98.5 KLUC-HD3 last week. K251BS airs LBI Medias Don Cheto in mornings. Regalado doubles as Program Director and on-air host at the station. The translator had been airing a localized version of Calvary Chapel of Costa Mesas Christian K-Wave programming based at KWVE-FM San Clemente CA via 92.3 KOMP-HD2. Only one year after being created Fiesta Las Vegas, the only radio station that combines two of the more listened genres in Spanish- Regional Mexicano and Reggaeton, is announcing the acquisition of 98.1 FM and 98.5 HD-3. With the addition, Fiesta Las Vegas is now broadcasting on 3 FM stations: Fiesta 87.7 FM, Fiesta 98.5 HD-3 and Fiesta 98.1, and through their website fiestaradiolasvegas.com, plus Roku TV, Uforia, Tune In and IHeart Apps. “We share this with you to say thank you for supporting our station and taking a chance on a Latino owned start up during a pandemic. This has been one of the plans since we first started and with all the hard work, support from clients, friends, our understanding families and our loyal radio listeners of our beautiful community we are making the dream come true” Said Rafael Cerros, Co-Owner of Fiesta Las Vegas and continue “A lot of things are in the works right now, including events for the community, and we would love for you to be part of the movement. So, with that said, on behalf of ALL of our team at Fiesta we say: GRACIAS!” This expansion is only adding to their already broad radio and social media reach that in Facebook is above 200,000 followers. Fiesta Las Vegas has been recognized for their innovative way of doing things, not only for combining two different genres but also for their Radio/TV format. With Fiesta Las Vegas listeners can hear and see their favorite videos and shows, such as Don Cheto, El Zirko, La Mano Peluda, El Torito, Compa Mike, El Parientito y El Marciano and many local community leaders and journalists that are making a difference in Las Vegas. “This is one more goal achieved in our path to help our clients grow but now is time to continue the hard work.” Said Rogelio “El Torito” Regalado Co-Owner of Fiesta Las Vegas and continue “As a thank you and to celebrate our first year of Fiesta, we are playing all ads, live mentions, call ins, etc on all platforms at no additional costs as a thank you in June and July. We are extremely grateful to those who invested in advertising in Fiesta having other options and believing in our potential along craziness” But Fiesta Las Vegas is not only committed to their clients but also to the community, during their first year, their team organized a Radioton for El Salvador “Salvaton”, a Turkey Drive, Toy Drive, Get out to vote campaign, Scholarship Giveaway, 5k Gift cards giveaway to essential workers, Get tested and Vaccinated campaigns among many more. /////////////////////////////////////////// Anna & Raven Add Seven New Markets Including Miami & Harrisonburg Posted: 08 Jun 2021 03:58 PM PDT https://radioinsight.com/headlines/2...-harrisonburg/ Compass Media Networks Anna Raven Show has announced it has reached 25 markets with the addition of seven new stations. The show, hosted by Anna Zap and Jay Raven and based at Connoisseur Media Hot AC Star 99.9 WEZN Bridgeport CT, entered national syndication at the start of the year. The new affiliates airing the show in mornings a Anco Media Dance Revolution 93.5 WZFL Islamorada/WBGF Belle Glade/W228BY Miami Saga Communications AC More 96.1 WMQR Harrisonburg VA Delta Radio Network Country Kix 92.7 WMYQ Moorhead/Greenwood MS Dockins Broadcasting Country Froggy 93.5 WFDZ Perry FL Dockins Broadcasting Country Power Country 102.1 WQLC Watertown/Lake City FL Dockins Broadcasting Country Kickin Country 104.9 KPWB-FM Piedmont MO Additionally, Byrne Acquisition Group Variety Hits Earl 98.3 WDLZ Murfreesboro NC has added the show for afternoons from 2-7pm. Anna and Raven have hosted mornings together at WEZN since 2015. Anna Zap has been part of the morning show at WEZN since 2010 after previously working as a comedian and adjunct professor. Raven joined WEZN in April 2015 after previously spending most of his career in Rock radio with two tours at 106.9 WCCC Hartford from 1995-2001 and then 2005-2014 where he spent time in nights, afternoons and mornings. He also has hosted nights at WAAF Boston and mornings at 103.7 WWRX Providence. The show was expanded to Connoisseurs 97.5 WALK-FM Patchogue NY in January 2020. ANNA RAVEN NOW HEARD IN 25 MARKETS This duo has been the dominant, morning-drive show in Connecticut as the foundation for STAR 99.9’s rating success. In early 2020, Connoisseur Media expanded the reach of Anna Raven, adding the program in the morning on WALK 97.5 FM. Since launching into syndication in January 2021 with Compass Media Networks, the program has quickly amassed 25 markets. Marco Mazzoli, CEO and Program Director, Revolution 93.5 WZFL-FM Miami comments, “I was looking for a show that could fit our unique format, but nothing sounded like Revolution 93.5, then I came across Anna Raven and thought… That’s what I’m talking about! The show is fun, fast, full of content, and never obvious, I think Miami is going to love it!” Kim Mitchell, General Manager, WMQR-FM “Harrisonburg Radio Group is excited to add Anna Raven as the new morning show on More 96.1. Our focus has always been engaging content with a local spin, and we believe Anna and Raven’s high-caliber talent will deliver that and more to our audience. They are the perfect fit for the More brand and will be relatable to our loyal listeners. They’re super fun, and I think they’ll add great energy to the Valley’s commute to work.” “The Anna and Raven Show” has been steadily adding stations, formats, and dayparts. Primarily a morning show on Hot AC stations, the show now can count AC, Country, and Classic Hip-Hop among its’ ranks. WDLZ-FM is the first affiliate to add the show in afternoon drive 2-7pm. To find out how to bring Anna and Raven to your market contact Nancy Abramson (914) 707-9963 or email . About Anna and Raven: Anna and Raven started as a morning show team in Metro Fairfield, CT in 2016 working for Connoisseur Media. The show has been consistently rated #1 in that market since its inception. They expanded their reach, via a partnership with Compass Media Networks, to over 25 markets including Long Island, NY, and Miami, Fl. |
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