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One topic often ignored, or at least often misunderstood, is the
received audio. Simply put, the whole goal of receiving DX stations is to actually understand what is being said. Anything that degrades understanding degrades reception. First, there is no good substitute for having a professional hearing test. My speech pathologist friend agreed that out of the many that I found, this one makes no claims and might spot "gross problems". http://www.freehearingtest.com/test.shtml The speech pathologist pointed out that "if your on line friends are even half way serious about listening to and understanding weak voices in a noise environment, they really should have their hearing test by a professional". She pointed out that subtle hearing deficits can have a major effect on one's ability to understand. I have learned that the further an accent is from the version I hear every day, the stronger, as in better SN/N, the signal has to be. And for the foreign languages that I understand, even less noise is allowed. Since I can't do very much about the noise, I try to not degrade the received audio any more then I must. From my perspective anything that degrade or distorts the received signal simply adds noise. And some of what I am saying appears to contradicts other parts. For instance I feel that under ideal conditions there should be no bandwidth limits. But I am a strong believer in Dallas Lankford's elliptical low pass audio filters. And I love narrow crystal filters for some situations. Quoting form Kiwa's "Tips for Improving Receiver Performance", http://www.kiwa.com/rxtips.html: "All capacitors from the point of detection to the speaker output should be examined. All ceramic capacitors within the audio path (from disc to SMT types) should be replaced with a polyester type such as the Panasonic V or B series (available from Digi-Key) or WIMA MKS-3 types. Low pf values (less than 10,000pf) could also be replaced by polystyrene types (available from Mouser7). Ceramic capacitors, especially the general purpose disc capacitor types are notorius for creating bad audio. Probably the best description as to what they do to the audio is that they create a smearing sound which reduces the overall clarity to the audio quality. The polyester types are much more transparent and they will improve the audio quality." There have been several threads on the effects various capacitors types have on audio. Instead of reinventing the wheel I will offer some links to pages that detail and display these effects. http://members.aol.com/sbench102/caps.html Walt Jung has a very interesting group of very informative articles regarding amplifiers. And one especially useful pdf showing a "real time capacitor checker" http://waltjung.org/PDFs/A_RealTime_Signal_Test_For_Capacitor_Quality.pdf To be fair, Ron Elliot has another viewpoint. http://sound.westhost.com/articles/capacitors.htm Mr. Elliot has some fine designs and I love his simple MOFET power follower. Very clean and very simple. http://sound.westhost.com/project83.htm Mr. Elliot also has what he calls a "Sound Impairment Monitor" http://sound.westhost.com/sim.htm http://sound.westhost.com/project57.htm#top I found his first unit to be very usefully in evaluating amplifiers and amplifiers that showed significant "difference" also degraded weak, poor S/N, audio signals. Hi unit also shows the effects different capacitors have on audio. Spoken language is made up of small pieces called phonemes. Anything that causes phonemes to be misunderstood reduces intelligibility. Since most readers will speak English as their primary language, I will use English words for examples. Other languages will suffer from similar effects, though naturally the exact sources of confusion will vary from language to language. It is important to realize that even if you can not tell sailing from failing due to audio defects, you can often get at least the gist of a conversation from context. These are links to interesting information about audio intelligibility. I used a similar set of words to those in the first three links. While these were designed for sound reinforcement studios, they were the best I could find and have been very useful in my ongoing quest for improved reception. http://www.meyersound.com/support/pa...ch/drtlist.htm http://www.meyersound.com/support/pa...ech/pblist.htm http://www.meyersound.com/support/pa...ch/mrtlist.htm http://www.meyersound.com/support/pa...h/section3.htm http://www.meyersound.com/support/pa...eech/appen.htm http://www.meyersound.com/support/pa...ossary.htm#drt "Communications and speech intelligibility" http://www.isvr.co.uk/spe_hear/comint.htm Thoughts on "HiFi" SSB, "What is Lo-Fi - Mid-Fi - Hi-Fi and Extended SSB ( ESSB ) ?" http://www.icycolors.com/nu9n/essb.html "The Effect of Bandwidth on Intelligibility" http://www.icycolors.com/nu9n/images/Sound.pdf This is a quote from http://www.meyersound.com/support/papers/speech/section2.htm: "One of the most obvious aspects of sound system performance that affect intelligibility is frequency response. Severely band-limited systems deliver speech poorly. For instance, telephones are generally limited to a 2 kHz bandwidth, and this makes it hard to distinguish between "f" and "s" or "d" and "t" sounds." This is a link to charts that show the effect of increasing noise to intelligibility. http://www.meyersound.com/support/papers/speech/mbn.htm http://www.meyersound.com/support/papers/speech/mf.htm And this chart is usefully in that it shows the effect of a "competing", and unwanted, interfering voice(s). http://www.meyersound.com/support/papers/speech/mv.htm Little things can matter a lot more then I would have believed 18 months ago. With every minor improvement I have made in my system, there has been a direct and corresponding increase in my ability to understand weaker and weaker signals. This is more then just my opinion, it is the result of careful measurements, over a 12 month period using the ISM/HiFer beacon that I have already mentioned. I hope some find this useful. Terry |
#2
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Terry,
A big AMEN to everything you've said about the importance of audio quality in DXing and receiver characteristics. This is one of the key areas in any receiver I consider. If it doesn't provide high-grade audio out of the box, I will look at mods for audio quality that my friend Craig at Kiwa Electronics proposed. He first helped me out with an ICOM ICR-70 in the 1980s, and later I saw (heard!) what he could really do with audio quality when designing equipment from the ground-up (ie, the Kiwa "MAP" unit). The clean, low distortion audio from the SDR-1000 is one of the reasons it's my main receiver. In a listening environment like the Pacific NW where there is less thunderstorm static, particularly at sunrise with a Beverage antenna at the coast, a quiet receiver can REALLY reveal the weak signals at the noise floor. Fortunately, the manufacturers have come a long ways with audio quality since the days of the "wooly" JRC NRD-515 and the excessively bassy response of the stock ICOM ICR-70. More often than not, the current rigs have far better audio than communications receivers from the 1980s and 1990s. Guy Atkins Puyallup, WA www.sdr-1000.blogspot.com wrote in message ups.com... One topic often ignored, or at least often misunderstood, is the received audio. Simply put, the whole goal of receiving DX stations is to actually understand what is being said. Anything that degrades understanding degrades reception. SNIP |
#3
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#4
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In article . com,
"Tom" wrote: I very much want to fix the problem but continued warranty coverage and tiny SMD's are rather large barriers. And so far, Yaesu has not allowed anything more than that this may be "more or less nominal for this radio"! Use a 10 X magnification like I do. You can buy binocular scopes that mount on the bench or you can wear the head gear then those small SMT components will not be a problem down to 0402 size. -- Telamon Ventura, California |
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