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#1
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Take a look at:http://sosnick.uchicago.edu/BNC_50_75.html
And then look at the BNCs on your equipment. Unless all of your cables and equipment is new, as in since ~2000, I bet you have a lot of 50 Ohm BNCs in your facility. It is real simple: plastic "inserts" in the business end mean you have a 50 Ohm BNC. And for analog/NTSC it doesn't matter. Terry |
#2
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On 13 May 2005 09:41:26 -0700, wrote:
Take a look at:http://sosnick.uchicago.edu/BNC_50_75.html And then look at the BNCs on your equipment. Unless all of your cables and equipment is new, as in since ~2000, I bet you have a lot of 50 Ohm BNCs in your facility. It is real simple: plastic "inserts" in the business end mean you have a 50 Ohm BNC. And for analog/NTSC it doesn't matter. Terry Pacific Radio has always specialized in 75 Ohm BNCs. They are THE place to go for that sort of thing in the Television Capitol of the World. And they had them well before the year 2000. http://www.computermodules.com/broad...aster-fd.shtml The worst thing that ever happened to TV is stupid coaxial ethernet. Before then, 50 Ohm BNC jumpers were very rare. I don't know anything about Trompeter patch bays. We always use ADC. |
#3
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All I know is that talking with my friends who work in
TV around the central Kentucky area are laughing at the pennies saved versus the dollars that will now have to be spent on upgrades. Kind of a mini Y2K event where penny wise pound foollis was the logic. Although to be fair from what I have read in the amphenol catalog, there was no measureable difference between 50 and 75 ohm in the NTSC universe. Kind of like a retired cobal programer who was shocked to find stuff he had written in the early 70' was still mission critical software that hadn't been upgraded because "it worked". He made a bundle off that mess. Non of the recent Computer Science grads couldmake heads nor tails of 30 year old code. My TV friends have "funny" stories about when a 50 ohm termination got into the 75 ohms video system. Pulls synch and video down, and once you have seen it you are foreverer "learned", but that first time is a real dozy! Terry |
#4
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#5
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![]() wrote All I know is that talking with my friends who work in TV around the central Kentucky area... Terry Hey Terry, I didn't know you guys had electricity in central Kentucky. You really have tv's too? ;-) Jack |
#7
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In article .com,
wrote: I have a Trompeter PDF tittled "Getting Reday for HDTV". Up unitl the last few years it was common practice to use 50 Ohm male and female BNCs in 75 Ohm systems. With a maximum frequency of under 5MHz the mismatch had ":no" effect. Trompeter arns that older 75 Ohm patch bays will not pass DTV signals, which can reach up to 1GHz, with "serious distortion". I have tried to find a link at Trompoeter, but haven't succeded yet. These pages shows the difference between 50 and 75 Ohm BNC connectors. http://sosnick.uchicago.edu/BNC_50_75.html http://www.levitonvoicedata.com/supp...ote_detail.asp ?tnID=17 5 Almost all of the "older" professional video gear used 50 Ohm BNCs this includes Grass VallyD2, BetaCam(BetaCam digital uses real 75 Ohm BNC), U-matic and Ampex quad and 1". A local TV station had a major nightmare with their ~20 year old Trompeter video patch bay. On pass through wouldn't kill the DTV signal, put a 2nd pass and the video died. A chief engineer explained that 50 Ohm connectors where "much less expensive then 75 Ohms" This link gives a 5:1 price differeintial: http://www.extron.com/technology/arc...tifyingcables1 So in short, if your male BNC has plastic shell on the inside of the mating fingers it is 50 Ohm, if the female BNC has a plastic collar around the center pin it is 50 Ohms. For HF connections I think it is safe to say it will make no differnce if eith4r 50 or 75 Ohm BNC connector is used. If only HDTV/DTV were so tolerant, On the good side for us is the fact that older, but perfectly good NTSC "75" Ohnm video patch bays will become available on the surplus market. I was given an older Trompeter 75 Ohm video patch bay because of the 50 Ohm BNCs. Good deal for me! Amphenol:http://www.amphenolrf.com/rf_made_si...hquestions.asp says" At frequencies below 500 Mhz or so, 50 ohm connectors can be used on 75 ohm cable (and vice versa) with acceptable performance levels. The reason for doing this is that 50 ohm connectors are generally less expensive due to their greater usage. Click here to see a list of useful..." This thread ought to be interesting...... What are you looking for? Do you want an explanation of why the connector does not have a big effect on a 100MHz signal and yet has a great effect on a 1 GHz signal for the same impedance mismatch? -- Telamon Ventura, California |
#8
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Telamon wrote:
What are you looking for? Do you want an explanation of why the connector does not have a big effect on a 100MHz signal and yet has a great effect on a 1 GHz signal for the same impedance mismatch? Have you ever used a TDR to look at a transmission line? A 1.5:1 impedance bump can cause problems and the more impedance bumps in the path the more it degrades the signal. The techs at Microdyne had both 50 and 75 ohm cables and adapters available. I had someone tell me the video boards i had just tested and calibrated were all bad. He was trying to use 50 Ohm cables in a 75 ohm video test which caused the bandwidth to roll off to -3 dB at 16 Mhz instead of 20 Mhz. It took all day to convince the old timers that they had to use the right cables, because they had got away with the wrong coax on the older, 5 Mhz systems for years. -- Former professional electron wrangler. Michael A. Terrell Central Florida |
#9
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In article ,
"Michael A. Terrell" wrote: Telamon wrote: What are you looking for? Do you want an explanation of why the connector does not have a big effect on a 100MHz signal and yet has a great effect on a 1 GHz signal for the same impedance mismatch? Have you ever used a TDR to look at a transmission line? A 1.5:1 impedance bump can cause problems and the more impedance bumps in the path the more it degrades the signal. Yes. Time domain reflectometry. The techs at Microdyne had both 50 and 75 ohm cables and adapters available. I had someone tell me the video boards i had just tested and calibrated were all bad. He was trying to use 50 Ohm cables in a 75 ohm video test which caused the bandwidth to roll off to -3 dB at 16 Mhz instead of 20 Mhz. It took all day to convince the old timers that they had to use the right cables, because they had got away with the wrong coax on the older, 5 Mhz systems for years. You need more bandwidth for digital signals because of the faster rise and fall times. For data to be valid you need a large eye opening in amplitude and time for margin. There are two things of significance: 1. The amplitude of the discontinuity. 2. The length of time of the discontinuity. #1 determines the amplitude of the reflection. #2 determined the frequency it becomes significant. The cable is another issue. I know you understand that the attenuation per foot increases with higher frequency. This can occur more rapidly with digital signals due to the faster than analog transition times. For digital you need a path with 3.5 times the bandwidth. You have to understand another consequence of reflections on a transmission line and that is the amplitude of the signal varies over the length of the line due to constructive and destructive interference of the forward and reverse waves so it is possible to measure a bigger swing than you set the generator to drive the line with in some places on the line. I have seen this confound more than one person until I explain this to them. To test a path the best thing to do is set the generator to produce a 1/0 pattern, which is the highest frequency of the bit stream and look at the far end with a scope. Swap the cable or connector and measure the change in attenuation. If the impedance of the cable is wrong you will lose signal amplitude due to reflection along with the loss per foot number. -- Telamon Ventura, California |
#10
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Telamon wrote (in part):
You need more bandwidth for digital signals because of the faster rise and fall times. For data to be valid you need a large eye opening in amplitude and time for margin. There are two things of significance: 1. The amplitude of the discontinuity. 2. The length of time of the discontinuity. #1 determines the amplitude of the reflection. #2 determined the frequency it becomes significant. -------------------------------------- I started this thread because starting now and increasingly in the near future there will be "lots" of analog "75 Ohm" video patch bays, and patch hairpins, and patch cables dumped as the older ones degrade digital signals. At one local station they found out they could go through one set normally normaled analog patch. Inserting eithr a hairpin, short patch used to connect adjacent non normally connected patches, or any patch cable "killed" the digital data stream. I was given a~25 year old 48 bay patch with hairpins and cables. And while my current antenna system is "50 ohms", this bay passes signals in the .1`~30MHz range with "no" attenuation. By "no", I can dirrectly feed the attenuated output from my ancient HP test generator, adjust it for a just audible signal, then run it through the patchbay, and it is still there. Beats the heck out of my homebuilt BNC bay, and I can now seperate my receivers from my transceivers. I did a quick search and found Prompeter 75 ohm patch bays on Ebay for less then $20. For anyone with a mix of receivers, converters, filters, and antennas, this could be a very cost effective routing solution. And for those who think that their SW receiver antenna input, rated at 50 ohms, is really 50 Ohms, all I can say is "not very likely". As to the mismatch of using a 75 Ohm patch in a 50 ohm system, I can run 146MHz through a patch set, terminate it in a Narda 50 Ohm load, and I can not measure any increase in VSWR. This is at low power and one of my main reasons for wanting to not use my BNC bay is to avoid, or at least decrease the chance of feeding the output of my IC28A, or HTX100 directly into a receiver. While I haven't managed it, I know one friend who did. Terry |
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