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SYDNEY - During the Forum of the Chinese People on July 10, former Chinese
diplomat Chen Yonglin spoke for the first time about the specific methods used by the CCP to control overseas Chinese communities. These communities continue in fear of the CCP though they live in the free world. Chen pointed out that the CCP’s efforts in this regard are consistent with its plans to control Australia, also known as its “great border” strategy. .... Control and Take Over of Media Outlets Chen expressed that the CCP employs strict media control and censorship not only within China, but also within the Chinese communities scattered throughout the free world. Diplomats are heard making the same speeches in foreign lands, spreading the same CCP lies to the overseas communities. He said, “In the past month some local Chinese media have not been very sensible in reporting my defection. One of the main reasons is that they are influenced and controlled by the CCP’s General Consulate. Chinese media companies run on a smaller scale and are easily enticed by the CCP’s economical interests.” Chen highlighted the three main avenues of media control: direct sponsorship, advertisements, and purchase of front-page coverage and broadcast time. Some Chinese language newspapers publish editorial articles written by CCP members, showcased on special pages set aside for this purpose. This format has been well received by Beijing, and has become a frequently used propaganda tool. The head of the Publicity Department of the CCP Central Committee has visited Australia and been very pleased by the media situation that he observed - that the voice of the CCP is reaching far into the Chinese communities. There is also an element of economic advantage for these CCP compliant media, as they are granted special privileges and access to markets in China. Chen commented, “I think as a media company, to betray the principle of justice is for sure to betray the readers, to betray the people. I hope certain media companies will discipline themselves, get rid of the CCP’s control and become true media, instead of following the CCP down its path to destruction.” Cultural Activities and the Arts are Co-opted by the CCP Propaganda Machine Chinese cultural arts performances are frequent events in Australia, with famed Beijing opera such as The Legend of the White Snake playing at the Sydney Opera House, and this is as it should be. There is an abundance of quality art, informed by the rich Chinese heritage, flowing into Australia, and this is a truly beneficial cultural exchange. Unfortunately, the CCP has taken advantage of this established avenue, and routinely sends propaganda pieces in the guise of Chinese art and theater. To give an example, on October 4, 2004, the General Administration Art Group of the Chinese People’ s Liberation Army (PLA) performed at the Sydney Opera House, in an effort to erase its history of killing, such as its involvement in the June 4th Massacre on Tiananmen Square. Another point raised by Chen is that cultural exchange should be two-way. When was the last time an Aboriginal didgeridoo ensemble was invited to perform in Beijing? He remarked, “How many Australian cultural and art groups visited China? The only one I remember was in 2002 when Australia held a week of cultural activities. But every year there are many Chinese cultural groups traveling to Australia to perform.” People in the entertainment industry are making money off of these pseudo-arts, but Chen rightly pointed out that they should check their consciences and see if they really want to be supporting the evil CCP ideology. .... http://www.theepochtimes.com/news/5-7-14/30335.html |
#2
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In article ,
"Whats_Your_Agenda" wrote: SYDNEY - During the Forum of the Chinese People on July 10, former Chinese Snip Post off topic BS, go in kill file. Plonk -- Telamon Ventura, California |
#3
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I need to take my dog out in the front yard.She is slurping out my right
ear again. www.cattledog.com cuhulin |
#4
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![]() wrote in message ... I need to take my dog out in the front yard.She is slurping out my right ear again. m II, this one is all yours. |
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